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Place Beyond the Pines, The (2013) [Review]

Director: Derek Cianfrance, Ben Coccio, and Darius Marder
Cast: Ryan Gosling, Bradley Cooper, Eva Mendes, and Ray Liotta
Rated: R (language, violence, drug use)
Sites: IMDb/trailer Official movie site
Notes: Official Facebook

The Place Beyond the Pines somehow managed to sneak past many movie goers this year. It wasn’t heavily advertised and didn’t seem to get a whole lot of buzz, which is strange considering the promising cast and director. I’m here to say that after seeing this film (with many thanks to my local cinema for showing it), I am still not sure how this New York state-set crime drama managed to stay under the radar.

The film stars Ryan Gosling as Luke, a traveling motorcycle stunt performer. One of his shows stops in Altamont, New York, where Luke sees an old friend named Romina (Eva Mendes). The two discuss a fling they had the last time he was in town almost a year ago, which leaves Luke looking to reconnect. Luke winds up discovering Romina has a baby, and even more to his surprise that he is the father. With this news, he makes the bold decision stay put and support Romina and their baby.

The Place Beyond The Pines movie reviewUnfortunately things don’t go as smoothly as Luke would like though, as Romina is already in another relationship, and Luke doesn’t have means to support a family. He takes up a job as a mechanic with Robin (Ben Mendelsohn), but it still barely makes ends meet. Robin reveals that he robbed banks many years ago, which at first puts Luke off but the more Robin makes it seem doable the more Luke takes the bait. Before you know it the two come up with a scheme to hit up a few banks, utilizing Luke’s specialized riding skills to assist in their getaway plan.

Their plans work out initially and Luke earns some cash. He starts to get closer with Romina and his baby Jason too. It’s not before long things go awry though, as the heat moves in. College educated rookie-cop Avery (Bradley Cooper) pursues Luke on a heist gone wrong. The encounter changes their lives and the lives of those around them drastically, and I mean drastically.

The film soon takes a different turn, following a different series of events. In order to avoid spoiling anything, all I can say is that the film shifts its focus from different characters more than once. There is a lot to do with the corrupt police force and how Avery deal’s with it, among other conflicts he’s come to face in addition to the confrontation with Luke. There’s a lot going on, a lot to due with cause and effect, family, politics, and just choices people make.

What’s not to like about this cast? Ryan Gosling really can do no wrong lately. He brings his A-game here as the tough, slovenly protagonist who at least has his heart in the right place despite the bad situations he puts himself in. Bradley Cooper is also exceptional as Avery, who I haven’t been a fan of in the past but since The Words and Silver Linings Playbook he’s definitely doing some awesome movies lately. While the supporting cast is also equally well placed,  I must add that a couple of the characters are either incredibly annoying or do things that don’t make a whole lot of sense. Not only are one character’s mannerisms so unbearable to watch, the fact the character was written that way just doesn’t really add up. These are minor details, but really this was a near perfect film so those are the things that stick out.

This is again one of those films that isn’t really a feel-good movie. There’s a lot of ill feelings and anger throughout the movie. The conclusion honestly doesn’t offer much satisfaction or redemption, but that’s really not a bad thing. As with my recent review of the German film The Silence, I really am partial to films that take this approach, and by that I mean they don’t try to satisfy the audience but rather follow the chain of events more realistically. Cianfrance is able to capture this through his direction successfully, as he was with Blue Valentine. The woods, the quiet small town feel, the roar of Luke’s motorcycle, the Mike Patton score, all elements that come together to combine the right moods to give you the right not-so-good feeling.

It really is a shame this film hasn’t been talked about more, but then again I really shouldn’t be surprised as this isn’t the type of film that tickle’s most people’s fancy. I hope it will get more recognition, perhaps during awards season, as there really is a lot to appreciate. For me, I loved the atmosphere, the unexpected turn of events and the different narratives the film ended up having. You also really just can’t go wrong with Ryan Gosling in this kind of role either. Aside from some complaints with how some of the characters were written, I enjoyed just about everything about this film.

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Silence, The (2013) [Review]

Director: Baran bo Odar
Writer(s): Baran bo Odar (screenplay), Jan Costin Wagner (novel)
Cast: Ulrich Thomsen, Wotan Wilke Möhring, Katrin Saß, Sebastian Blomberg, and Burghart Klaußner
Rated: Not rated (violence/sexuality)
Sites: IMDb/trailer Official movie site
Notes: Film is distributed by Music Box Films. Original release date: 2010.

aka Das letzte Schweigen

The Silence opens with two men driving in a car on a country road somewhere in Germany. They pass a young girl on her bike who turns down a road partially hidden in a wooded area. The car backs up and proceeds to follow the girl. The driver gets out, approaches the girl, and then viciously attacks her while his passenger waits in the car as it happens. The mood this scene puts you in is the same one that will stay with you throughout the entire duration of the film.

The majority of the film takes place 23 years after the girl vanishes in the opening scene when yet another girl goes missing. What’s interesting about this case is that it happens to be on the anniversary of the old case, and the bike belonging to the most recent missing girl, 13-year-old Sinikka, was found in the very same spot as that of Pia, the original victim. This new string of events cause several characters that have some relation or passion for the case to become invested in finding out who is responsible and finding answers.

The Silence movie review

There’s a widowed cop determined to fill the void in his life, a recently retired cop similarly doing the same, a successful family man with secrets, and the parents of both missing girls to name a few. All intertwine to form the groundwork of the mystery surrounding the missing girls. As the police follow leads and connections between the original and present cases, Sinikka’s parents struggle to pick up the pieces of what remains of their relationship and our family man Timo (Wotan Wilke Möhring) faces his past and present in the midst of the latest news headlines. Family, workplace, and crime drama all circulate the dark and bleak atmosphere with seamless consistency, which kept me equally interested in each character and his/her conflicts and developments.

Though this is certainly not a feel-good movie, should a story with this sort of subject matter really be anyway? I felt the film really embodied the feeling of loss, small-town tragedy and personal and familial conflicts at different levels quite realistically. This was not a film that set out to be a revenge film, or to find justice of the crime. It’s goal seemed to be to simply explore the effects caused by the tragic events that took place. Most of those effects are bad, and leave us with ill feelings. The film does this eerily well with the perfect musical score, clean yet stark camera shots, and bone-chillingly good acting performances all around. Many will be put off by the less than pleasant-feeling ending, and the overall feeling the film emits but those looking for a more emotive and gripping crime thriller will find much to delve into with The Silence.

 

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Off-White Lies (2013) [Review]

Director: Maya Kenig
Writer(s): Maya Kenig and Dana Diment
Cast: Gur Bentvich, Elya Inbar, Tzahi Grad, Arad Yeni, Salit Achimiriam
Rated: Not rated (some sexuality/nudtiy)
Sites: IMDb/trailer Official movie site
Notes: Film is distributed by Film Movement. Original release date: 2012.

aka Orhim le-rega

Every time I get to see a foreign movie, especially one that is based around some sort of real events, I’m always moved on a different level than I am with a typical domestic flick. In Off White Lies, we follow along with a father and his 14 year-old daughter as they venture across Israel during the war with Lebanon circa 2006. Libi (Elya Inbar), the daughter, has just come from America to stay with her estranged father Shaul (Gur Bentvich), who has no real home or job.

What always lingers in my mind while watching a film like this is just the idea of what it must be like living in that particular part of the world. Shaul, as well as pretty much every other character in the film, deals with avoiding bombed villages and living in underground fallout shelters as if it’s the norm. Putting myself into that mindset is an eye opening experience to say the least, and makes a movie far more effective and interesting that simply looking at it on the surface.

Young Libi, who we’re given the impression is accustomed to living in the States – when she talks to her mother in California on the phone, or when she switches from Hebrew to English – also seems to be indifferent to her new living conditions. Actress Elya Inbar accurately portrays the rebellious teenager who really makes you feel for her, she comes off as a normal teenage girl rather than an attention seeking character, which really makes the film feel more personal rather than a spectacle.

Off White Lies movie review

While the idea of this situation seems comical on the surface, it lays the groundwork for several scenarios that are both entertaining as they are serious. Shaul tells off-white lies to find a place to stay with Libi. They wind up with a family that winds up bringing them together while at the same time causing them to learn more about themselves. There’s a very touching scene with Libi singing to her father in a restaurant when she finds out it’s his birthday. There are then scenes with the two arguing, and those where Libi is angry towards her parents. It’s all about the emotions of the characters, which all of the actors project extraordinarily well.

This is one of those films that starts with an interesting premise. It then meanders into a series of events with the characters, and suddenly winds up open-ended and possibly unfulfilled. I personally am not bothered by this style of filmmaking. Off-White Lies is more of a slice of life rather than an adventure story. We follow Shaul and Libi in a very important and difficult time in both of their lives, and follow them through events that will cause them to find themselves and each other. To me this is more effective than simply seeing a clearly defined story fly by on the screen; it makes it more human. While the film drags at times, and isn’t very exciting, it provides an intriguing look into the lives of two interesting characters and their relatively unusual circumstances.

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Teddy Bear (2012)

Director: Mads Matthiesen
Writer(s): Mads Matthiesen and Martin Zandvliet
Cast: Kim Kold, Lamaiporn Hougaard, and Elsebeth Steentoft
Rated: Not rated
Sites: IMDb/trailer Official movie site
Notes: Distributed by Film Movement

The idea of a bodybuilder who’s never had a girlfriend searching for love could almost sound like a farcical sex comedy on the surface. However, Teddy Bearis anything but that. The film, starring real life bodybuilder Kim Kold as Dennis, a 38 year old single bodybuilder who lives at home with his controlling mother is as serious and genuine as you can get.

Dennis is tired of still feeling like a child at home. He tries his hand at the dating scene, where he needs to lie to his mother who he knows wouldn’t approve of him dating, but never has any success. While attending the wedding of his uncle, he sees there love and wants to obtain what they have. His uncle eventually talks him into visiting Thailand, where he met his wife, explaining to him how it’s easier to be social and find love in the foreign land.

When Dennis leaves Denmark and arrives in Thailand, after lying to his mother about where he is going of course, it’s not quite what he had imagined based on his uncle’s stories. He draws attention everywhere he goes, likely due mostly to his size, and finds that the Thai women are too forward (and often come with a price tag). He’s about to give up hope on this venture as well, until he decides to work out at the local gym. There he meets a new friend, an aspiring bodybuilder and becomes attracted to the gym’s owner, Toi.

Teddy Bear movie review

Dennis knows what he feels for Toi is different than anything he’s felt before, but his lack of experience or knowledge of the Thai customs put a few obstacles in his way. The drama of Dennis falling in love, facing his fears and dealing with his mother play out with sincerity and a realism that make you forget Dennis is a bodybuilder. We realize that he is a person with his own struggles, just like the rest of us.

This film really surprised me. What could have easily been exploitative and a gimmicky comedy, the movie sticks to the story to be a heartfelt drama with a non-conventional main character. The story itself is fairly straightforward, but it’s the character of Dennis that really make the movie stand out. He’s a testament that you can’t judge a book by its cover. Someone who would seem like guy with confidence and fearlessness could really end up being a shy, introverted guy.

Kim Kold really steals the show. Not only does he look the part, but he makes us believe he knows Dennis well. As a man of few words, Dennis speaks mostly through facial expressions. Kold manages to convey everything through his looks and reactions. He really does seem like a big teddy bear, especially when he shows a little grin here and there, which is one of the small characteristics that make us truly feel something for Dennis, and not just look at him as a spectacle.

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Silver Linings Playbook (2012)

Director: David O. Russell
Writer(s): David O. Russell (screenplay), Matthew Quick (novel)
Cast: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jackie Weaver, Chris Tucker, and Shea Whigham
Rated: R (language, brief nudity)
Sites: IMDb/trailer Official movie site
Notes: Official Facebook

Silver Linings Playbook movie review

Once again I’ve come across a movie in 2013 that would have made my top 10 movies of 2012. Silver Linings Playbook is one I’ve heard a lot of buzz about for a while, but didn’t want to buy into the hype. However, this is one of those cases where the attention the film is getting is well deserved.

The film follows Pat (Bradley Cooper) who’s just been released from a mental institution after an episode he had while discovering his wife was cheating on him. He returns home and dedicates himself to getting back with his wife, Nikki, by getting himself in top physical condition, reading all of the books on her teaching syllabus, and showing that he is a matured adult. However, he finds adapting back to real life isn’t quite as easy as he’d hoped.

Pat is introduced to Tiffany (Jennifer Lawrence), a young window who’s also had some history of mental illness of her own. The two at first seem like a bad combination, but as they spend time with each other they may just be good for each other. Pat sees an opportunity to win back Nikki through Tiffany, and Tiffany convinces Pat to help her in a dance competition in return.

On the surface the film might sound like a comedy based around 2 mentally unstable individuals who fall in love with each other, but to assume this would be a huge mistake, not to mention is extremely inaccurate. This film is a true drama about family and coming to terms with life with a little bit of comic relief added throughout (mainly thanks to Robert De Niro and Chris Tucker). The “romance” angle of the story is not the focus, and isn’t as simple as one might think.

The acting in this film has gotten much praise and for good reason. Bradley Cooper has really been impressive lately (it was cool to see a little homage to Midnight Meat Train in this film, a hugely underrated horror film he starred in) and here is superb, not only by putting on an excellent comedic performance, but showing great emotion and behaviors of someone experiencing some mental troubles. His chemistry with Jennifer Lawrence was very unexpectedly great. At first I thought due to their age differences, it wouldn’t be believable, but Jennifer really steals the show and makes us forget that she is only 22 years old.

I could go on about each cast member, as everyone was memorable and provided real depth to their characters. It’s really special when you have a movie where all of the characters are well written, provide their own stories and characteristics. This allows the film to be more effective and memorable. This is my idea of a film done right. It can’t be classified simply under one genre or written off as a story that’s been done over and over. It has unique characters, brought to life by an awesome cast, and a realistic and original story that always keeps things interesting as well as entertaining.

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