Category Archives: Theatrical

Movies released in the theater.

Place Beyond the Pines, The (2013) [Review]

Director: Derek Cianfrance, Ben Coccio, and Darius Marder
Cast: Ryan Gosling, Bradley Cooper, Eva Mendes, and Ray Liotta
Rated: R (language, violence, drug use)
Sites: IMDb/trailer Official movie site
Notes: Official Facebook

The Place Beyond the Pines somehow managed to sneak past many movie goers this year. It wasn’t heavily advertised and didn’t seem to get a whole lot of buzz, which is strange considering the promising cast and director. I’m here to say that after seeing this film (with many thanks to my local cinema for showing it), I am still not sure how this New York state-set crime drama managed to stay under the radar.

The film stars Ryan Gosling as Luke, a traveling motorcycle stunt performer. One of his shows stops in Altamont, New York, where Luke sees an old friend named Romina (Eva Mendes). The two discuss a fling they had the last time he was in town almost a year ago, which leaves Luke looking to reconnect. Luke winds up discovering Romina has a baby, and even more to his surprise that he is the father. With this news, he makes the bold decision stay put and support Romina and their baby.

The Place Beyond The Pines movie reviewUnfortunately things don’t go as smoothly as Luke would like though, as Romina is already in another relationship, and Luke doesn’t have means to support a family. He takes up a job as a mechanic with Robin (Ben Mendelsohn), but it still barely makes ends meet. Robin reveals that he robbed banks many years ago, which at first puts Luke off but the more Robin makes it seem doable the more Luke takes the bait. Before you know it the two come up with a scheme to hit up a few banks, utilizing Luke’s specialized riding skills to assist in their getaway plan.

Their plans work out initially and Luke earns some cash. He starts to get closer with Romina and his baby Jason too. It’s not before long things go awry though, as the heat moves in. College educated rookie-cop Avery (Bradley Cooper) pursues Luke on a heist gone wrong. The encounter changes their lives and the lives of those around them drastically, and I mean drastically.

The film soon takes a different turn, following a different series of events. In order to avoid spoiling anything, all I can say is that the film shifts its focus from different characters more than once. There is a lot to do with the corrupt police force and how Avery deal’s with it, among other conflicts he’s come to face in addition to the confrontation with Luke. There’s a lot going on, a lot to due with cause and effect, family, politics, and just choices people make.

What’s not to like about this cast? Ryan Gosling really can do no wrong lately. He brings his A-game here as the tough, slovenly protagonist who at least has his heart in the right place despite the bad situations he puts himself in. Bradley Cooper is also exceptional as Avery, who I haven’t been a fan of in the past but since The Words and Silver Linings Playbook he’s definitely doing some awesome movies lately. While the supporting cast is also equally well placed,  I must add that a couple of the characters are either incredibly annoying or do things that don’t make a whole lot of sense. Not only are one character’s mannerisms so unbearable to watch, the fact the character was written that way just doesn’t really add up. These are minor details, but really this was a near perfect film so those are the things that stick out.

This is again one of those films that isn’t really a feel-good movie. There’s a lot of ill feelings and anger throughout the movie. The conclusion honestly doesn’t offer much satisfaction or redemption, but that’s really not a bad thing. As with my recent review of the German film The Silence, I really am partial to films that take this approach, and by that I mean they don’t try to satisfy the audience but rather follow the chain of events more realistically. Cianfrance is able to capture this through his direction successfully, as he was with Blue Valentine. The woods, the quiet small town feel, the roar of Luke’s motorcycle, the Mike Patton score, all elements that come together to combine the right moods to give you the right not-so-good feeling.

It really is a shame this film hasn’t been talked about more, but then again I really shouldn’t be surprised as this isn’t the type of film that tickle’s most people’s fancy. I hope it will get more recognition, perhaps during awards season, as there really is a lot to appreciate. For me, I loved the atmosphere, the unexpected turn of events and the different narratives the film ended up having. You also really just can’t go wrong with Ryan Gosling in this kind of role either. Aside from some complaints with how some of the characters were written, I enjoyed just about everything about this film.

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Silence, The (2013) [Review]

Director: Baran bo Odar
Writer(s): Baran bo Odar (screenplay), Jan Costin Wagner (novel)
Cast: Ulrich Thomsen, Wotan Wilke Möhring, Katrin Saß, Sebastian Blomberg, and Burghart Klaußner
Rated: Not rated (violence/sexuality)
Sites: IMDb/trailer Official movie site
Notes: Film is distributed by Music Box Films. Original release date: 2010.

aka Das letzte Schweigen

The Silence opens with two men driving in a car on a country road somewhere in Germany. They pass a young girl on her bike who turns down a road partially hidden in a wooded area. The car backs up and proceeds to follow the girl. The driver gets out, approaches the girl, and then viciously attacks her while his passenger waits in the car as it happens. The mood this scene puts you in is the same one that will stay with you throughout the entire duration of the film.

The majority of the film takes place 23 years after the girl vanishes in the opening scene when yet another girl goes missing. What’s interesting about this case is that it happens to be on the anniversary of the old case, and the bike belonging to the most recent missing girl, 13-year-old Sinikka, was found in the very same spot as that of Pia, the original victim. This new string of events cause several characters that have some relation or passion for the case to become invested in finding out who is responsible and finding answers.

The Silence movie review

There’s a widowed cop determined to fill the void in his life, a recently retired cop similarly doing the same, a successful family man with secrets, and the parents of both missing girls to name a few. All intertwine to form the groundwork of the mystery surrounding the missing girls. As the police follow leads and connections between the original and present cases, Sinikka’s parents struggle to pick up the pieces of what remains of their relationship and our family man Timo (Wotan Wilke Möhring) faces his past and present in the midst of the latest news headlines. Family, workplace, and crime drama all circulate the dark and bleak atmosphere with seamless consistency, which kept me equally interested in each character and his/her conflicts and developments.

Though this is certainly not a feel-good movie, should a story with this sort of subject matter really be anyway? I felt the film really embodied the feeling of loss, small-town tragedy and personal and familial conflicts at different levels quite realistically. This was not a film that set out to be a revenge film, or to find justice of the crime. It’s goal seemed to be to simply explore the effects caused by the tragic events that took place. Most of those effects are bad, and leave us with ill feelings. The film does this eerily well with the perfect musical score, clean yet stark camera shots, and bone-chillingly good acting performances all around. Many will be put off by the less than pleasant-feeling ending, and the overall feeling the film emits but those looking for a more emotive and gripping crime thriller will find much to delve into with The Silence.

 

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Silver Linings Playbook (2012)

Director: David O. Russell
Writer(s): David O. Russell (screenplay), Matthew Quick (novel)
Cast: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jackie Weaver, Chris Tucker, and Shea Whigham
Rated: R (language, brief nudity)
Sites: IMDb/trailer Official movie site
Notes: Official Facebook

Silver Linings Playbook movie review

Once again I’ve come across a movie in 2013 that would have made my top 10 movies of 2012. Silver Linings Playbook is one I’ve heard a lot of buzz about for a while, but didn’t want to buy into the hype. However, this is one of those cases where the attention the film is getting is well deserved.

The film follows Pat (Bradley Cooper) who’s just been released from a mental institution after an episode he had while discovering his wife was cheating on him. He returns home and dedicates himself to getting back with his wife, Nikki, by getting himself in top physical condition, reading all of the books on her teaching syllabus, and showing that he is a matured adult. However, he finds adapting back to real life isn’t quite as easy as he’d hoped.

Pat is introduced to Tiffany (Jennifer Lawrence), a young window who’s also had some history of mental illness of her own. The two at first seem like a bad combination, but as they spend time with each other they may just be good for each other. Pat sees an opportunity to win back Nikki through Tiffany, and Tiffany convinces Pat to help her in a dance competition in return.

On the surface the film might sound like a comedy based around 2 mentally unstable individuals who fall in love with each other, but to assume this would be a huge mistake, not to mention is extremely inaccurate. This film is a true drama about family and coming to terms with life with a little bit of comic relief added throughout (mainly thanks to Robert De Niro and Chris Tucker). The “romance” angle of the story is not the focus, and isn’t as simple as one might think.

The acting in this film has gotten much praise and for good reason. Bradley Cooper has really been impressive lately (it was cool to see a little homage to Midnight Meat Train in this film, a hugely underrated horror film he starred in) and here is superb, not only by putting on an excellent comedic performance, but showing great emotion and behaviors of someone experiencing some mental troubles. His chemistry with Jennifer Lawrence was very unexpectedly great. At first I thought due to their age differences, it wouldn’t be believable, but Jennifer really steals the show and makes us forget that she is only 22 years old.

I could go on about each cast member, as everyone was memorable and provided real depth to their characters. It’s really special when you have a movie where all of the characters are well written, provide their own stories and characteristics. This allows the film to be more effective and memorable. This is my idea of a film done right. It can’t be classified simply under one genre or written off as a story that’s been done over and over. It has unique characters, brought to life by an awesome cast, and a realistic and original story that always keeps things interesting as well as entertaining.

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Les Misérables (2012)

Director: Tom Hooper
Writer(s): William Nicholson (screenplay), Alain Boublil & Claude-Michel Schönberg (book), Victor Hugo (novel) & Herbert Kretzmer (lyrics), Alain Boublil & Jean-Marc Natel (original: French text), and James Fenton (additional text)
Cast: Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Sacha Baron Cohen, Helena Bonham Carter, and Eddie Redmayne
Rated: PG-13 (violence, some sexuality)
Sites: IMDb/trailer Official movie site

Musicals aren’t typically my thing, but that isn’t to say that I haven’t enjoyed a musical or two in my day. Usually I wind up really enjoying a music when I actually watch it. The problem, I think, is the initial appeal, getting myself to actually watch one.

How I cam about seeing Les Misérables was unsurprisingly somewhat unplanned. I went along with my girlfriend and her friend. Though I admit it would be unlikely I’d choose to see the film on my own, I was still very interested in the movie from some of the things I’ve seen.

As it turned out, I was glad I went to the film. What first got my attention was the opening scene. The huge ship full of prisoners backed by a thunderous soundtrack was a great way to open this larger than life film. I soon realized that while this certainly was a musical, it was going to be so much more.

The story follows Jean Valjean (Hugh Jackman) who’s spent several years imprisoned for a petty crime. He’s released on parole, but almost immediately breaks it in attempt to start a new life. His new journey leads him to become mayor and a reputable business man. When one of his workers, Fantine (Anne Hathaway), is forcefully thrown into the streets by a ruthless foreman and an unruly mob of coworkers. Fantine’s life suddenly goes down a dark path, leading her to take desperate measures to provide for her daughter, Cosette.

Valjean finds himself promising Fantine that he would care for Cosette on one fateful night. Little did he know, it was only the beginning of a new chapter of his life that would last for the next several years. The infamous Inspector Javert (Russell Crowe), who tormented Valjean during his days as a prisoner, has always been after Valjean since he broke parole and shows no sign of backing off.

Les Miserables 2012 movie review

The film combines so many different sub-plots and genres, there is really something for everyone. Over the course of the film’s timeline, we see everything from Cosette growing up, Valjean constantly evading capture, and ultimately the heat of the June Rebellion. There is action, drama, love, and even some comedy in there (thanks to Sacha Baron Cohen and Helena Bonham Carter’s characters). The film does a brilliant job of spanning genres while being one giant tale made up of several different lives and events.

What really made the film stand out were the acting performances. The live singing is impressive enough, with its raw and realistic feel. But the acting felt truly genuine and full of emotion. It may sound like an exaggeration, but I honestly felt like the whole cast did a superb job that deserves all of the praise they are getting.

This is a film that needs to be seen, even by those, like me, who don’t think they like musicals. The film doesn’t seem like a musical at all. It is a solid drama where the dialog just so happens to be in song. A few minutes in, I didn’t really think of it as singing, but just accepted that it was simply how they spoke in the film. This is an exquisite display of filmmaking, acting, and music all combined to be one great experience.

While I thoroughly enjoyed and appreciated this film, I will say that the longer runtime did start to be apparent halfway through for me. It’s not that the film was boring, I really was invested in what was going on, but scenes did tend to drag on at times. I attribute this to the song aspect, in that a scene that may only be a minute with normal dialog might go on for 10 minutes in Les Mis due to the songs. This is a price you pay for such a unique movie experience, however.

I was pleasantly surprised by this film, despite putting my ability to stay focused and alert to the test. While it isn’t necessarily a feel-good movie, it does provide a slice of life that, despite taking place in another era, has much relevance and humanity that everyone can appreciate and be affected by.

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Hobbit: An Unexpected Journey, The (2012) – High Frame Rate 3D review

Director: Peter Jackson
Writer(s): Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro, and J.R.R. Tolkien (novel)
Cast: Martin Freeman, Ian McKellen, Richard Armitage, and Andy Serkis
Rated: PG-13 (violence)
Sites: IMDb/trailer Official movie site

I’ve been looking forward to The Hobbit for a long time now. I am a huge fan of the Lord of the Rings trilogy, and was very excited at the idea of experiencing another Middle-earth trilogy. On top of that, upon hearing of the early “High Frame Rate” (or HFR) screenings that have been garnering a lot of controversy, I had a lot more curiosity about director Peter Jackson’s latest fantasy epic.

The Hobit movie review

Martin Freeman as Bilbo Baggins

Luckily, my local theater was one of the few across the country actually running the HFR version in 3D. I was very eager to see what the fuss was about. I don’t often make a big deal about seeing 3D films, I’m not against them but only will pay the extra amount if I think the 3D would add something to the experience. For example, I thought Avatar in 3D really enhanced the world of Pandora and was a fine example of 3D done well. In the case of The Hobbit, under normal circumstances I most likely wouldn’t go for 3D, but the HFR is what had me interested.

Before I get into what I thought of the movie itself, I feel like I have to comment on the HFR 3D. At first impression, I was instantly mesmerized by the overall clarity of the picture. For those not familiar with HRF, the film is shot at 48 frames per second (fps) as opposed to traditional 24 fps. This difference was very noticeable for me. Not only where things clearer and pristine, but images seemed to move faster and with less distortion. The green landscape of the Shire stood out with every blade of grass showing great detail. The characters were especially lifelike, and watching the film was as if I was peering into a window and observing another world.

Many critics, well most as it would seem, have been really bashing this new format. Personally all I have to say is this: get over it. I love traditional cinema as much as the next movie fanatic, but this is a format designed to achieve a completely different movie going experience. Now if one is physically affected while viewing, that’s one thing, but simply bashing the format because it doesn’t look like a movie or too “video game-like” is a bit whiny. I’m likely going to buy The Hobbit on home video when it comes out, and it’s going to be a different experience than in the theater. Maybe I’m just more open to experiencing change when it comes to movies, but I don’t see the point getting upset about these things. Personally, I have to say I’m glad I saw the version I did, the experience was certainly unique and different and had many definite pros.

RIchard Armitage as Thorin

Richard Armitage as Thorin

Ok, rant aside, the film itself was actually a big surprise for me. Never having read the novel, I wasn’t sure what to expect. I had heard that the film wasn’t quite as exciting as the original trilogy, but honestly I did not feel that was the case. The main and obvious difference between this film and the original trilogy is the different characters and storyline. Instead of Frodo and company, The Hobbit follows Frodo’s uncle BIlbo Baggins (Martin Freeman). Bilbo is approached by wizard Gandalf (Ian McKellan) and a group of Dwarves to take part in an adventure of his own. Really the difference is instead of a quest to destroy the ring, we jump back to a young Bilbo on a quest to assist some Dwarves, led by Thorin (Richard Armitage) in taking back their home land. I felt that the journey here had equal amounts of danger, excitement, and uncertainty as the Rings movies.

The film had all of the aspects I loved about the Rings films. The adventure was exciting, full of ugly, nasty, sometimes silly but more often scary, creatures and thrilling battles. The scenery was also breathtaking as one would expect, you really can’t get much more ideal that how they did it in terms of depicting the gorgeous and magical settings.

There is a lot of worry about how they’re going to manage to squeeze two more films about of the relatively short novel, but if the next installments are consistent with this one I can confidently say those worries can be put to rest. While it will be hard to top the Rings trilogy, these Hobbit films should offer the same spirit and adventure with a handful of new characters to get to know and love. While the HFR screenings may give the film some unfortunate controversy, we as fans should all be ecstatic that the world of the Shire can continue in a new trilogy of epic films that we can get submerged in.

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