Tag Archives: Dark

Dark subjects/comedies.

Place Beyond the Pines, The (2013) [Review]

Director: Derek Cianfrance, Ben Coccio, and Darius Marder
Cast: Ryan Gosling, Bradley Cooper, Eva Mendes, and Ray Liotta
Rated: R (language, violence, drug use)
Sites: IMDb/trailer Official movie site
Notes: Official Facebook

The Place Beyond the Pines somehow managed to sneak past many movie goers this year. It wasn’t heavily advertised and didn’t seem to get a whole lot of buzz, which is strange considering the promising cast and director. I’m here to say that after seeing this film (with many thanks to my local cinema for showing it), I am still not sure how this New York state-set crime drama managed to stay under the radar.

The film stars Ryan Gosling as Luke, a traveling motorcycle stunt performer. One of his shows stops in Altamont, New York, where Luke sees an old friend named Romina (Eva Mendes). The two discuss a fling they had the last time he was in town almost a year ago, which leaves Luke looking to reconnect. Luke winds up discovering Romina has a baby, and even more to his surprise that he is the father. With this news, he makes the bold decision stay put and support Romina and their baby.

The Place Beyond The Pines movie reviewUnfortunately things don’t go as smoothly as Luke would like though, as Romina is already in another relationship, and Luke doesn’t have means to support a family. He takes up a job as a mechanic with Robin (Ben Mendelsohn), but it still barely makes ends meet. Robin reveals that he robbed banks many years ago, which at first puts Luke off but the more Robin makes it seem doable the more Luke takes the bait. Before you know it the two come up with a scheme to hit up a few banks, utilizing Luke’s specialized riding skills to assist in their getaway plan.

Their plans work out initially and Luke earns some cash. He starts to get closer with Romina and his baby Jason too. It’s not before long things go awry though, as the heat moves in. College educated rookie-cop Avery (Bradley Cooper) pursues Luke on a heist gone wrong. The encounter changes their lives and the lives of those around them drastically, and I mean drastically.

The film soon takes a different turn, following a different series of events. In order to avoid spoiling anything, all I can say is that the film shifts its focus from different characters more than once. There is a lot to do with the corrupt police force and how Avery deal’s with it, among other conflicts he’s come to face in addition to the confrontation with Luke. There’s a lot going on, a lot to due with cause and effect, family, politics, and just choices people make.

What’s not to like about this cast? Ryan Gosling really can do no wrong lately. He brings his A-game here as the tough, slovenly protagonist who at least has his heart in the right place despite the bad situations he puts himself in. Bradley Cooper is also exceptional as Avery, who I haven’t been a fan of in the past but since The Words and Silver Linings Playbook he’s definitely doing some awesome movies lately. While the supporting cast is also equally well placed,  I must add that a couple of the characters are either incredibly annoying or do things that don’t make a whole lot of sense. Not only are one character’s mannerisms so unbearable to watch, the fact the character was written that way just doesn’t really add up. These are minor details, but really this was a near perfect film so those are the things that stick out.

This is again one of those films that isn’t really a feel-good movie. There’s a lot of ill feelings and anger throughout the movie. The conclusion honestly doesn’t offer much satisfaction or redemption, but that’s really not a bad thing. As with my recent review of the German film The Silence, I really am partial to films that take this approach, and by that I mean they don’t try to satisfy the audience but rather follow the chain of events more realistically. Cianfrance is able to capture this through his direction successfully, as he was with Blue Valentine. The woods, the quiet small town feel, the roar of Luke’s motorcycle, the Mike Patton score, all elements that come together to combine the right moods to give you the right not-so-good feeling.

It really is a shame this film hasn’t been talked about more, but then again I really shouldn’t be surprised as this isn’t the type of film that tickle’s most people’s fancy. I hope it will get more recognition, perhaps during awards season, as there really is a lot to appreciate. For me, I loved the atmosphere, the unexpected turn of events and the different narratives the film ended up having. You also really just can’t go wrong with Ryan Gosling in this kind of role either. Aside from some complaints with how some of the characters were written, I enjoyed just about everything about this film.

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Silence, The (2013) [Review]

Director: Baran bo Odar
Writer(s): Baran bo Odar (screenplay), Jan Costin Wagner (novel)
Cast: Ulrich Thomsen, Wotan Wilke Möhring, Katrin Saß, Sebastian Blomberg, and Burghart Klaußner
Rated: Not rated (violence/sexuality)
Sites: IMDb/trailer Official movie site
Notes: Film is distributed by Music Box Films. Original release date: 2010.

aka Das letzte Schweigen

The Silence opens with two men driving in a car on a country road somewhere in Germany. They pass a young girl on her bike who turns down a road partially hidden in a wooded area. The car backs up and proceeds to follow the girl. The driver gets out, approaches the girl, and then viciously attacks her while his passenger waits in the car as it happens. The mood this scene puts you in is the same one that will stay with you throughout the entire duration of the film.

The majority of the film takes place 23 years after the girl vanishes in the opening scene when yet another girl goes missing. What’s interesting about this case is that it happens to be on the anniversary of the old case, and the bike belonging to the most recent missing girl, 13-year-old Sinikka, was found in the very same spot as that of Pia, the original victim. This new string of events cause several characters that have some relation or passion for the case to become invested in finding out who is responsible and finding answers.

The Silence movie review

There’s a widowed cop determined to fill the void in his life, a recently retired cop similarly doing the same, a successful family man with secrets, and the parents of both missing girls to name a few. All intertwine to form the groundwork of the mystery surrounding the missing girls. As the police follow leads and connections between the original and present cases, Sinikka’s parents struggle to pick up the pieces of what remains of their relationship and our family man Timo (Wotan Wilke Möhring) faces his past and present in the midst of the latest news headlines. Family, workplace, and crime drama all circulate the dark and bleak atmosphere with seamless consistency, which kept me equally interested in each character and his/her conflicts and developments.

Though this is certainly not a feel-good movie, should a story with this sort of subject matter really be anyway? I felt the film really embodied the feeling of loss, small-town tragedy and personal and familial conflicts at different levels quite realistically. This was not a film that set out to be a revenge film, or to find justice of the crime. It’s goal seemed to be to simply explore the effects caused by the tragic events that took place. Most of those effects are bad, and leave us with ill feelings. The film does this eerily well with the perfect musical score, clean yet stark camera shots, and bone-chillingly good acting performances all around. Many will be put off by the less than pleasant-feeling ending, and the overall feeling the film emits but those looking for a more emotive and gripping crime thriller will find much to delve into with The Silence.

 

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Top 10 Favorite Movies of 2012

Top 10 films of 2012

2012 has came and gone, and the world didn’t end! To celebrate our spared existence, I present my top 10 favorite films from last year. As usual, we start things out with some noteworthy titles. As always, this is a tough list to put together, but it should certainly not be taken as any kind “best” list, for who am I to say what classifies something as the best? These are just those that stood out and made the biggest impact for me personal this past year.

Honorable mentions

Arbitrage starring Richard Gere was a solid and stylish drama surrounding a business man dealing with the ramifications of some bad decisions; while the trailer may have given away most of the movie, People Like Uswas a heartfelt and emotional family-driven drama with some excellent performances; indie coming-of-parenthood dramedy Small, Beautifully Moving Parts was quite charming, mostly due by a extraordinary performance by Anna Margaret Hollyman; Indie it-girl (I question my own use of that term, in any case…) Greta Gerwig steals the show in Lola Versus which has some really well done scenes, but resides in an overdone genre; Beasts of the Southern Wild displayed a magical method of storytelling in an emotion-filled tale of a father and daughter surviving in the wake of a disastrous storm in the bayou; Liam Neeson showed he’s still a badass even in the face of man-hungry wolves in the icy cold thriller The Grey; Joseph Gordon-Levitt killed it in Premium Rush as a New York City bike messenger who performs adrenaline-filled stunts to get away from a corrupt cop played by a villainous Michael Shannon; it came as a surprise, but Jessica Biel delivered what I’d personally consider an Oscar-deserving performance in The Tall Man, her monologue is the icing on the cake of this dark and moody mystery; and finally there was Man on a Ledge, the clever crime flick about a man (Sam Worthington) standing on the ledge of a skyscraper while a heist is taking place, but it isn’t without some twists and surprises.

10. The Hobbit

This perhaps could have appeared higher on my list, but as I mentioned in the intro this was incredibly tough. The epic adventure from the world of The Lord of the Rings follows the story of the book The Hobbit, which precedes the Rings series. The film is just as epic as Peter Jackson’s Rings triology, filled with florious visuals, an exciting storyline and tons that overall magic that was felt with the Rings films. I’m definitely looking forward to the second two films in this new trilogy.

9. Moonrise Kingdom

Wes Anderson and Roman Coppola tell the tale of young love in true Wes Anderson fashion. The quirky characters, fantastic costumes, and overall beautifully strange style makes this love story a treat for the eyes and ears. The film does a great job of capturing the spirit of youth, young love, and rebellion but in a most unique fashion.

8. Beyond the Black Rainbow

And the award for Most Bizarre Film of the Year goes to…Beyond the Black Rainbow! This movie had to be on my list as it is one of the most bizarre and unique films I’ve seen for a while. What stands out the most is its 80s-inspired style. The film look, the colors, the music, everything screams retro but without feeling gimmicky. Filmmaker Panos Cosmatos was apparently channeling his youth days of watching late night TV when coming up with this film, but the final product is a psychological trip and an aesthetic feast.

7. Prometheus

The film takes place in the Alien universe, but not being well-versed in that particular universe I went into this film with an open mind and no expectations (other than I would be seeing my fave, Noomi Rapace, and would likely be seeing some cool visuals). I was truly blown away by the visuals and the mythology behind the story, so much that I desperately wanted more. My only negative is that the film really lacked a lot with the characters and their stories.

6. The Hunger Games

The book got me excited, but I was very surprised when the film ended up being one of the best book-to-movie adaptations I’ve seen. The attention to detail was great, the acting was superb, and the futuristic visuals were incredibly pulled off. Though it was a longer film, they managed to cram most of the film’s details in (though what I would consider some key parts were left out). Perhaps that was also a downside for the film; many parts seemed rushed and those that seemed significant in the book didn’t seem so much so in the film.

5. Ruby Sparks

Paul Dano and Zoe Kazan (who also wrote the film) have great chemistry in this hilarious yet emotional gem about a writer who invents the love of his life through his writing, only to realize she suddenly appears in his life as his real girlfriend. The clever and playfully silly concept is a breath of fresh air, and the acting and writing really bring it to life. While it may seem more like a fantasy, the relationship aspects of the film are realistic and emotional.

4. Hitchcock

Anthony Hopkins revives a real-life character in Hitchcock, the biopic about arguably one of the best filmmakers in history, Alfred Hitchcock, and his making of the film Psycho. The film was extremely interesting to me for two reasons: the dramatic look at the making of a great film like Psycho during the time it came out (1960) in the midst of extreme controversy, knowing the success it would have (and continue to have); and the portrayal of Hitchcock himself, which Hopkins does with all the right mannerisms. The film feels much like a comedy at times, but when thinking about the real story it’s even more effective.

3. The Hunter

The Hunter is a truly gripping thriller that is driven by a demanding performance by WIllem Dafoe. Dafoe plays a mercenary hired to hunt down what is believed to be the last of the Tasmanian Tigers. The cold and snowy scenery is breathtaking, but also adds to the dark and mysterious tone of the film. At times I felt that the film seemed a little slow, mostly because there are several long shots with very little to no talking, but it knew how to pick things up when it needed to.

2. Perks of Being a Wallflower

I have always been drawn to films about loners, misfits, losers, outcasts, etc. Perhaps I can identify with some aspects of those characters, but in any case, I always appreciate a film not following cliche heroes and supermodels. This film is based on the book by the same name about such a loner (Logan Lerman) who befriends an eccentric brother and sister. Authentic acting performances bring the realism to the story, which is filled with true emotion from both the funny and the sad parts of growing up, finding love, and dealing with personal demons.

1. Headhunters

Ever since 2009′s The Girl with the Dragon Tattoo (the Swedish film), I have always been on the lookout for Scandinavian thrillers. Like the Dragon Tattoo films, Headhunters is also based on a book by a hugely popular author, Jo Nesbø. This Norwegian crime thriller follows a man who’d otherwise seem quite average, if it were not for his success as a corporate headhunter and secret art thief. When the main character, Roger Brown (Aksel Hennie) steals his latest piece, he winds up in a mess he didn’t expect. The film is full of twists and turns, laughs and cringes, and it doesn’t let up. I also have to mention that it’s hard to believe that this was the first role for the actress who played Roger’s wife DIana, Synnøve Macody Lund. This film has everything I look for in the genre, and it left me craving more!

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Headhunters (2012)

Director: Morten Tyldum
Writer(s): Lars Gudmestad, Ulf Ryberg, and Jo Nesbø (novel)
Cast: Aksel Hennie, Synnøve Macody Lund, Nikolaj Coster-Waldau, and Eivind Sander
Rated: R (gory violence, nudity)
Sites: IMDb/trailer Official movie site
Notes: Official Facebook

aka Hodejegerne

Headhunters movie review

I have always had a big interest in Scandinavian films. I don’t often come across them in my neck of the woods, but almost always I end up loving their films. Once I saw the trailer for the Norwegian film Headhunters, based on the novel by the increasingly popular author Jo Nesbø, I just had a feeling I would love it.

The film is introduced by its main character, Roger Brown (Askel Hennie), who gives us the insight into his life. One the outside, the relatively short man has a glamorous life complete with a fancy house, nice car, expensive suits, and a gorgeous wife (a breakout performance by newbie Synnøve Macody Lund). As they usually are, things are different behind the scenes for Roger. Aside from some issues with his marriage, Roger happens to also have the secret of being an art thief when he’s not doing his day job as a corporate headhunter.

Roger’s wife, Diana, happens to own an art gallery. As fate would have it, an acquaintance of Diana’s, Clas Greve (Nikolaj Coster-Waldau) tells her about a very rare painting he is in the possession of. Upon hearing of this, Roger decides this is his next mark. Roger, along with his accomplice Ove (Eivind Sander) coordinate the heist. The situation turns out to be more than what Roger bargained for when its discovered Clas is a former mercenary and a big wig of a tech company that makes GPS tracking devices.

Headhunters movie review

The film’s sly sense of humor and charismatic lead immediately drew me into the picture, but I have to say once the action of the plot kicked in, I couldn’t turn away. I honestly didn’t expect the action the film had, and the several twists and turns it took. The movie just doesn’t let up, but it’s far more than just being about the action. The storyline is clever and exciting and the film does a great job of building on the characters and making us feel something for them.

Headhunters is yet another example of how the Scandinavians are doing something so right that Hollywood can’t seem to grasp. The movie was an exciting thriller while also having a well thought out plot and well written characters. What I really appreciated was the amount of dark humor the film had, which wasn’t arbitrarily added in, it naturally added some comic relief without being turning the film into a farce. There’s also the drama between the characters, especially Roger and Diana, that felt genuine and again built on our feelings towards the characters.

This film is likely my favorite of the year. It had it all: crime, action, plot twists, and the pacing was perfect. The film looks great and has a cool style to it, but it manages to pull of being a stylish flick without showboating or coming off as being full of itself. Headhunters is certainly a serious film, but it’s intelligent way of combining the many aforementioned traits keep it quite entertaining.

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Prairie Love (2011)

Director: Dusty BIas
Writer(s): Dusty Bias, Ashley Martin Bias, and Holly Lynn Ellis
Cast: Jeremy Clark, Holly Lynn Ellis, and Garth Blomberg
Rated: Not rated (some sexuality)
Sites: IMDb/trailer Official movie site
Notes: Film distributed by Film Movement

Prairie Love movie review

“Quirky” is a term that often comes up in my reviews. There’s probably a good reason for that, as I tend to lean more towards offbeat films with an oddball sense of humor. Prairie Love had promise to have all of those quirky factors that I love about films, so needless to say it was one I was eager to see.

The film takes place in the icy tundra of North Dakota. We’re first introduced to a loner (Jeremy Clark), driving about the snowy roads in a beat up old station wagon, cluttered with trinkets and antique appliances and with a trailer carrying a dead deer in tow. As if that isn’t a strange enough picture to imagine, our drifter happens to find a man laying in the middle of the road, near death.

Normally that last part doesn’t sound like it would be funny, but when the frozen young man (Garth Blomberg) suddenly awakes in his whitey tighties and begins to spring across the ice road while his skin freezes, you realize the type of humor that is in store. As it turns out, the man that nearly froze to death was in pursuit of his prison pen pal, which he believes to be the love of his life. While the drifter saved the romantic’s life, something seems off about the whole situation though.

Things take an even more awkward and humorous turn when we realize that the drifter is planning on stealing the romantic’s, known as NoDak, girlfriend whom he hasn’t yet met face to face. Thus plays out a series of unusual, darkly comical scenarios that build up to a very unlikely, and yes quirky, love story.

The girl (Holly Lynn Ellis) is soon revealed and keeps up with the peculiar nature of the film. She’s as strange as the rest of the characters, albeit quite cute and lovable. I can’t help but wonder what she did to wind up in prison. Her naivete and innocence takes her on a journey that isn’t quite what she was expecting, and perhaps wasn’t what the audience was expecting as well.

I mentioned I love films with a unique sense of humor. This film certainly has a lot of those characteristics. The barren landscape, North Dakotan accents, and truly bizarre characters make this picture stand out. However there were times I couldn’t help but feel a little bored. Certain scenes almost felt as if they were quirky for the sake of being quirky, which to me drew away from the real appeal of the film: the characters and their story.

I suppose one could argue many of the aforementioned moments of the film I didn’t particularly care for only build on the zaniness of the characters, but personally to me I just felt like they were distractions. Prairie Love is still one of the better and more unique offbeat romances I’ve seen recently, and the finale really made up for what I felt lacked in other places in the film.

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