Tag Archives: psychological

Silver Linings Playbook (2012)

Director: David O. Russell
Writer(s): David O. Russell (screenplay), Matthew Quick (novel)
Cast: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jackie Weaver, Chris Tucker, and Shea Whigham
Rated: R (language, brief nudity)
Sites: IMDb/trailer Official movie site
Notes: Official Facebook

Silver Linings Playbook movie review

Once again I’ve come across a movie in 2013 that would have made my top 10 movies of 2012. Silver Linings Playbook is one I’ve heard a lot of buzz about for a while, but didn’t want to buy into the hype. However, this is one of those cases where the attention the film is getting is well deserved.

The film follows Pat (Bradley Cooper) who’s just been released from a mental institution after an episode he had while discovering his wife was cheating on him. He returns home and dedicates himself to getting back with his wife, Nikki, by getting himself in top physical condition, reading all of the books on her teaching syllabus, and showing that he is a matured adult. However, he finds adapting back to real life isn’t quite as easy as he’d hoped.

Pat is introduced to Tiffany (Jennifer Lawrence), a young window who’s also had some history of mental illness of her own. The two at first seem like a bad combination, but as they spend time with each other they may just be good for each other. Pat sees an opportunity to win back Nikki through Tiffany, and Tiffany convinces Pat to help her in a dance competition in return.

On the surface the film might sound like a comedy based around 2 mentally unstable individuals who fall in love with each other, but to assume this would be a huge mistake, not to mention is extremely inaccurate. This film is a true drama about family and coming to terms with life with a little bit of comic relief added throughout (mainly thanks to Robert De Niro and Chris Tucker). The “romance” angle of the story is not the focus, and isn’t as simple as one might think.

The acting in this film has gotten much praise and for good reason. Bradley Cooper has really been impressive lately (it was cool to see a little homage to Midnight Meat Train in this film, a hugely underrated horror film he starred in) and here is superb, not only by putting on an excellent comedic performance, but showing great emotion and behaviors of someone experiencing some mental troubles. His chemistry with Jennifer Lawrence was very unexpectedly great. At first I thought due to their age differences, it wouldn’t be believable, but Jennifer really steals the show and makes us forget that she is only 22 years old.

I could go on about each cast member, as everyone was memorable and provided real depth to their characters. It’s really special when you have a movie where all of the characters are well written, provide their own stories and characteristics. This allows the film to be more effective and memorable. This is my idea of a film done right. It can’t be classified simply under one genre or written off as a story that’s been done over and over. It has unique characters, brought to life by an awesome cast, and a realistic and original story that always keeps things interesting as well as entertaining.

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One Flew Over the Cuckoo’s Nest (1975)

Director: Milos Forman
Writer(s): Lawrence Hauben and Bo Goldman (screenplay), Ken Kesey (novel), and Dale Wasserman (play version)
Cast: Jack Nicholson, Louise Fletcher, Danny DeVito, Christopher Lloyd, and Will Sampson
Rated: R (language, some violence)
Sites: IMDb/trailer

One Flew Over the Cuckoo's Nest movie review

I had the pleasure of finally watching this classic starring Jack Nicholson, and I can’t believe its taken so long to get around to it. The film has been a staple on the IMDb top 250, lingering near the top (it’s at #12 at the time of this article) for as long as I can remember, so its a wonder why I haven’t set aside time to check it out much sooner. On the other hand, there’s a cool feeling about watching a classic film for the first time. We often watch great films and remember that feeling we had seeing it for the first time, wondering what it would feel like seeing it for the first time again. Watching classics long after their initial release is taking a journey into a different time and place, with often different philosophies on film making which makes it a whole different experience when compared to watching a new film.

The film stars the versatile Jack as McMurphy, a rebellious misfit who gets sent to a mental institution after previously serving at a prison work camp. In no time McMurphy brings his brand of breaking-the-rules fun to the other patients. For most, he does far more than what the medical practitioners can, treating them as regulars and showing them to a good time. Needless to say he gains a quick following with the patients, but is under the close eye of the facilities authorities, mainly the head nurse, Nurse Ratched.

The film focuses on one thing impeccably: characters. The colorful bunch of patients are more than just looneys talking to themselves. They each have their own story and distinct personality. Many scenes involve the characters simply interacting, whether it be during a group therapy session or a game of cards. Their personalities show through every line and every action they’re involved in. This is one thing that is so easy for films to overlook, as surprising as it would seem. It’s easy to get wrapped up in the plot and the action and put aside a character’s past, feelings, and overall place in the big picture. Cuckoo’s Nest places focus on the characters, which gives it an advantage in being a piece of humanity over a piece of entertainment.

 

Escaping the facility is only a small part of the movie. While that would seem McMurphy’s original agenda, as the film goes on and he becomes closer to the inmates, it becomes much more philosophical. In fact, McMurphy has several chances to escape, which isn’t really a spoiler. The film to me is really about how he changes during his stay at the hospital, and how he changes his new group of friends.

It became clear to me how this film has stood the test of time and is still considered one of the greatest films ever made. You don’t often see a film today that takes place primarily in one location, nor one that places so much emphasis on characters and feelings rather than action-driven plots. It goes without saying that Jack Nicholson is one of the greatest actors of all time (he won an Oscar for his performance), and his moving performance here is only enhanced by the supporting cast. A film like this needs a strong cast to be pulled off, and there don’t seem to be a lot of actors that can demand such attention as they do in this movie. While it certainly is tough to make an enjoyable film, its perhaps more difficult for a film such as this to keep the viewer’s attention without being boring. That to me was the true test that this film passed, and I’d go as far to say it is unrivaled in that regard.

I can’t discuss this film without mentioning the very surprising ending. While I found it to be quite sad, it had very poetic and mystical feeling to it. In the big picture though, it fit the rest of the film and really added an extra level of mental perplexity. The ending is just yet another aspect that sets it apart from other movies. When it could go one way that might please the audience more, it takes a different direction that is more in line with the rest of the film. One Flew Over the Cuckoo’s Nest is a real exemplary piece of film that illustrates that while times have changed, our humanity has not.

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Top 5 Favorite Horror Films of 2012 – Halloween Special

Halloween came and went this year, but here are my top 5 favorite horror films of the year. In typical CriticNic fashion, I wasn’t able to see as much as I would like, but nonetheless there were a few good ones so far. There also have been a bunch that are hard to place definitively into the genre, so I ended up leaving off a few films I really loved.

Top 5 Best Horror Films of 2012

Honorable mentions: Cabin in the Woods, The Monitor, Six Degrees of Hell, Gut, and The Tall Man

Let’s start with Cabin in the Woods. I had a lot of fun with this film and thought it was a creative spin on the horror genre that also paid tribute to many of the greats. I just didn’t love it. The Monitor was an excellent psychological thriller, starring the incredible Noomi Rapace, but I left it off because I had a hard time calling it horror. Six Degrees of Hell is a film I thought was worth mentioning because it was a solid effort from Joe Raffa, a young film maker who’s work I’ve become very interested in. It was a fun film with a nice concept, but the over-advertising of Corey Feldman in a lackluster role held it back. Gut was another low-budget flick with a cool concept and nice dark mood to it that I enjoyed. Then there’s The Tall Man. This was an amazing film for me, but while the cover and advertising may lead you to believe it’s horror, it’s a much stronger crime thriller with some great psychological twists.

5. The Woman in Black

This film was very well put together. Daniel Radcliff successfully breaks away from Harry Potter and plays a convincing widower. The film is packed with eerie jump scares, which I don’t mind here because they are effective and work with the film rather than thrown in conveniently for cheap thrills.

4. [Rec] 3: Genesis

Comparing it to its predecessors, [Rec] and [Rec 2], the film is a pretty much a letdown. However, looking at it as its own entity and more of a straight zombie film, it’s a really fun time. It’s a little silly at times (I loved the previous two films due to the realistic and serious feel), but still has some really cool things going for it.

3. Silent House

I haven’t seen the original The Silent House, but the concept for both films is similar. It’s shot in real time, which may seem gimmicky, but it works. The suspense is incredible, and there are some chilling moments as well. The psychologically-driven plot twists were unexpected and appreciated, and of course you have to acknowledge Elizabeth Olsen’s incredible performance.

2. V/H/S

This anthology film combines several “found footage” segments showing creepy and often bizarre situations for a very unique horror experience. Many of the situations, as well as their special effects, are things I haven’t seen in movies before. The movie is incredibly creative and a fun watch, which gained it high points in my book. I thought the wraparound story was a little lacking though, but either way it took the otherwise played out camcorder genre to a new level.

1. in their skin

This is on that borders on the crime thriller area, but I had to make this my top pick. I felt the film was near perfect for me. The situation in the film starts out as awkward, then turns just plain scary and unsettling. A home invasion is very effective as a scary situation, and even more so when the assailants are a bunch of whack jobs. The performances all around are outstanding and the film kept me on the edge of my seat from start to finish.

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Tall Man, The (2012)

Director/writer: Pascal Laugier
Cast: Jessica Biel, Jodelle Ferland, Stephen McHattie, and William B. Davis
Rated: R (language, some violence)
IMDb/trailer | Official movie site

I knew very little going into The Tall Man, other than it did not have anything to do with Phantasm and that it starred Jessica Biel. To my surprise I discovered the film was written and directed by Pascal Laugier, writer/director of the 2008 film Martyrs. Anyone who’s seen Martyrs knows how much of a disturbing and unforgettable film it is, so I instantly had a strong curiosity about The Tall Man based on that fact.

The film takes place in a small rural town in Washington state, a place where children are known to go missing and never return. There is a fable of “The Tall Man” that is both feared and joked about amongst the townsfolk. We’re quickly introduced to Julia (Jessica Biel), a nurse who lives in the shadow of her late husband. We find that she has a young son of her own, David (Jakob Davies) and lives with a housekeeper/babysitter. All seems normal, well aside from the mysterious kidnappings, that is until David is taken from Julia’s home in the middle of the night by a dark hooded figure.

Julia refuses to give up in getting David back as well as hunting down the person who took him. Biel’s fierce performance offers some cringe-worthy scenes, most of which involving her enduring physical pain and intense determination. She stops at nothing while on the kidnapper’s trail, even if she has to hang off the back of a speeding truck. But once we think we know where the film is going, things start getting really strange and the questions start building up.

The townspeople start acting as if they all know something that we don’t. Is there a conspiracy amongst them? Is Julia really who we think she is? Is there really a Tall man? The questions drove me insane, in a good way. While Julia continues to look for David, the townspeople band together with an agenda of their own. At this point many might devise their explanations of the twist, but think again. As more information is revealed, ironically the more questions began rising again.

The movie could have easily fell into the trap of a predictable “twist” ending that’s been done and done again. This would have been the “safe” choice. But The Tall Man kept me guessing all the way through till the end. Whenever I thought I knew what was happening, I constantly found myself saying “something’s going on here” and I’d pose more questions. I guess the mainstream is afraid of movies like this, movies that have the potential of confusing the viewer. I personally love when a movie can keep you guessing and play out in an intelligent and thought-provoking manner rather than a quasi-clever twist that satisfies the audience.

On top of the brilliant story, the film is paced well and looks good on top of it. The bleak, run-down and raddled small town is nicely shown through the use of dull colors and tired pale-faced characters. What’s more impressive than the overall feel and cinematography of the film is Jessica Biel’s performance. I never had a strong opinion on her as an actress, but here she gives an incredible performance both physically and emotionally. We can’t tell whether she’s the good guy or the bad guy sometimes. There’s one particular scene where she has a dialog with a mother of the town; the scene alone should gain her an Oscar nod. I was really surprised and blown away by this film and am yet again perplexed as to why masterpieces like this go straight to video.

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Monitor, The (2012)

Director/writer: Pål Sletaune
Cast: Noomi Rapace, Kristoffer Joner, and Vetle Qvenild Werring
Rated: R (language, some violence)
Film is distributed by Lionsgate | IMDb/trailer

aka Babycall

The Monitor movie reviewBeing a huge Noomi Rapace fan since the first time I saw The Girl with the Dragon Tattoo, I’ve been interested in everything else she’s done since. I saw the original trailer of The Monitor, also known as Babycall, and knew it was also one I needed to see. A year later, I was excited that the foreign film made its way to our shores. One thing I wasn’t certain about, however, was what exactly the film was all about. The trailers suggested it was a thriller, but that was about all I could gather.

The film follows Anna (Rapace), a single mother who moves into a new apartment with her young son Anders (Vetle Qvenild Werring). Right away we assume Anna has had some trouble when two child protective officers arrive at the home to make sure Anders is being taken care of properly. We soon learn that Anders was nearly killed by his father and that the mother and son had escaped. As a result, Anna is overprotective and often paranoid, so much to the point she buys a baby monitor so that she can feel comfortable about Anders sleeping in a separate room.

I couldn’t help but think of another role Noomi played in a Danish film called Daisy Diamond. Her character was also called Anna in that film in addition to be a single mother as well. From seeing her as Lisbeth in the Dragon Tattoo trilogy, it was hard to picture her as a mother figurebut she surprises in both films (in more ways than one). What is it about this young lady that makes her portray such tragic characters so convincingly? While she surprisingly does pull off a motherly character well, her character’s in both films are not without a bit of darkness and tragedy of their own.

Anna in The Monitor faces several conflicts. Most important is caring for her son while keeping child protective services at bay. However, once she purchases the baby monitor, strange sounds of a child potentially being killed start coming through the receiver. This causes a stir of worry in Anna’s head. It’s not long before she starts to fear for her and her son’s lives, while also investigating the suspicious transmission. Anna may also be facing an even bigger enemy: herself.

The Monitor - Noomi Rapace

Anna meets an awkward shy guy named Helge (Kristoffer Joner) at the electronics store when she buys the baby monitor. This event brings a new hope into Anna’s life, but at the same time introduces new questions to both Anna and the viewer. I had a hard time fully understanding what was going on from the beginning, but as it played out it only got more complicated. As Anna gets closer to Helge, more of what happens in the film becomes questionable.

This is a movie that might turn many people off. It poses arguably more questions than answers and in the end still may leave one scratching one’s head. However I enjoy a movie that challenges the audience. The film is a dark psychological drama that puts the viewer in the mind of Anna. We see and hear what she does, which is why it can often be confusing. That is perhaps why I found the film fascinating. Anna is a complex character, and the more we get to know her the more layers we begin to uncover.

For a fan of Noomi such as myself, the film is a definite pleasure. She shows versatility while still channeling the damaged and troubled woman that she does unspeakably well. The film’s enigmatic story and characters sucked me in. The pacing lagged a bit at times, which makes it tough with an already mentally straining storyline, but the effectiveness makes it worth it. While there are some loose ends and the rushed explanation at the ending only throws things askew even more, the cerebral suspense and convincing performances in The Monitor offer a thought-provoking and surprisingly shocking experience.

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